All Camille Pissaro 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
4343 Apple Picking at Eragny sur Epte  Apple Picking at Eragny sur Epte   1888 Dalla Museum of Art
4289 Countryside and Eragny Church and Farm  Countryside and Eragny Church and Farm   1895 Musee d'Orlay, Paris
4333 Girl Sewing  Girl Sewing   1895 Art Institute of Chicago
21094 Harfrost (mk06)  Harfrost (mk06)   1873 2' 1 1/2'' x 3' 1''(65 x 93 cm)Bequest of Enriqueta Alsop,1972 RF 1972-27
4297 Hoarfrost  Hoarfrost   1873 Musee d'Orlay, Paris
4309 Hyde Park, London  Hyde Park, London   1890
4313 Kew, The Path to the Main Conservatory  Kew, The Path to the Main Conservatory   1892
4294 Kitchen Garden with Trees in Flower, Pontoise  Kitchen Garden with Trees in Flower, Pontoise   1877 Musee d'Orlay, Paris
4335 La Cote des Boeufs, The Hermitage  La Cote des Boeufs, The Hermitage   1877 National Gallery, London
4284 Landscape at Chaponval  Landscape at Chaponval   1880 Musee d'Orlay, Paris
4332 Louveciennes : The Road to Versailles  Louveciennes : The Road to Versailles   1870 Foundation E.G.Buhrie Collection, Zurich
4328 Morning Sunlight on the Snow, Eragny sur Epte  Morning Sunlight on the Snow, Eragny sur Epte   1895 Museum of Fine Arts, Boston
4339 Orchard in Bloom at Louveciennes  Orchard in Bloom at Louveciennes   1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
4340 Orchard in Bloom at Louveciennes  Orchard in Bloom at Louveciennes   1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
4322 Portrait of Madame Pissarro Sewing near a Window  Portrait of Madame Pissarro Sewing near a Window   1878-79 Ashmolean Museum, Oxford
4317 Resting in the Woods at Pontoise  Resting in the Woods at Pontoise   1878 Kunsthalle, Hamburg
4286 Self Portrait  Self Portrait   1873 Musee d'Orlay, Paris
4326 Sunlight on the Road, Pontoise  Sunlight on the Road, Pontoise   1874 Museum of Fine Arts, Boston
4330 Sunset at St. Charles, Eragny  Sunset at St. Charles, Eragny   1891 Sterling & Francine Clark Art Institute, Williamstown, Mass
4341 The Artist's Garden at Eragny  The Artist's Garden at Eragny   1898 29" x 36 3/8" National Gallery of Art, Washington DC
20786 The Church of St.Jacques at Dieppe (san08)  The Church of St.Jacques at Dieppe (san08)   1901 1' 9 1/2"2' 1 3/4"(54.5x65.5cm)
40750 The Crossroads,pontoise  The Crossroads,pontoise   mj156 1872 Oil on canvas 54.9x94cm
4114 The Hermitage at Pontoise  The Hermitage at Pontoise   1867 59 5/8 x 79 in (151.4 x 200.6 cm) Solomon R Guggenheim Museum, New York
4281 The Hermitage at Pontoise  The Hermitage at Pontoise   1867 59 5/8 x 79 in (151.4 x 200.6 cm) Solomon R Guggenheim Museum, New York
4303 The Old Market Town at Rouen  The Old Market Town at Rouen   1898 The Metropolitan Museum of Art, New York
4338 The Pork Butcher  The Pork Butcher   1883 Tate Gallery, London
4334 The Railway Bridge, Pontoise  The Railway Bridge, Pontoise   1873
48691 Unknown work  Unknown work   mk191 1867 91x150.5cm
43349 View from Louveciennes  View from Louveciennes   mk170 1869-1870 Oil on canvas 52.7x81.9cm
4342 Washerwoman, Eragny sur Epte  Washerwoman, Eragny sur Epte   1895
20784 Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)  Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)   1887 1' 91/2"x2' 1 1/2"(54.5x65cm) Bequest of Antonin Personnaz
Camille Pissaro
1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.



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